Dublin's Grouse Chats About His New Album 'Oslo'

Grouse is Dublin native Ronan Carroll, and the project serves as an outlet for his electronic, dub, and ambient-influenced productions. The music of Grouse is atmospheric and cinematic, a place where guitars, violins and brass instruments interact with loops, samples and synthesizers. This evocative mixture is blended seamlessly on Grouse's third full-length album, Oslo. Its eleven tracks range from jazzy work-outs to hip-hop influenced beatology to dreamlike chill-out textures. Oslo has spawned an accomplished live band to interpret its heady tunes and a beautiful animated video for the song "Aqua".

We caught up with Ronan Carroll to quiz him on a few things we wanted to learn about Grouse and his album Oslo, which continues to earn repeated listens in the 8DPromo office.



What can you tell us about Oslo? Are there any stories of its creation, or a general philosophy / goal that you had in mind as you started it? Also, why ‘Oslo’?

Grouse: Shortly after the release of {my previous album} Heads in late 2012, I had formed the Grouse live band. The obvious thing to do at that point was a more band-orientated release. That was loosely the plan but, between gigs, the other band members were often busy with other projects and, in the meantime, I had been working away on my own.

I’d been listening to a lot of instrumental hip hop and I was chopping up beats and musical passages, using samples in the MPC as a way of making beats, just messing around at first. It was a new way of working for me. 'Let’s see if I can do this.' It was an education. I wasn’t sure if I would ever end up releasing any of it. At the same time, I was teaching myself, on and off, how to play jazz (it’s a slow, life long pursuit!). As I got more into the recording, I started adding more of my own playing and some of the stuff started sounding like Grouse tracks. The other guiding philosophy was that I wanted shorter tracks, simpler ideas – one theme and out. It doesn't always have to be epic! Eventually I had about 14 tracks finished so I picked the most suitable 11 for an album. The name

Oslo was something that was knocking around my head for a while for no great reason. I’ve never been there, but I associate the city with jazz. I think I have some live recordings from the city so that must be it. Later I realized 'Oslo' was an anagram of ‘solo’ so it seemed to fit perfectly with how the tunes came about.

There is now a Grouse live band. Did the songs have to change and adapt for live arrangements?

Grouse: The productions have always come first, then they get arranged for the live band. The original intention was to do a record with input from the band, and that would have been a different album. In fact, these tracks might be the hardest to arrange for the live band. Right now, "Aqua" is the only Oslo track we play live. The rest of the set comes from the first two albums. That will change for sure though.

You are based in Dublin, but have also lived in San Francisco. Do the different cities influence your music, and, if so, in what ways? Do you think that the return to Dublin affected the sound of Oslo?

Grouse: That’s a tricky one. In spite of the global aspect of the internet, obviously the sounds you get exposed to change, depending on your location. Even more so when you’re crate digging! Having said that, musically, the cities are, in many ways, similar so I don’t really think the different cities have played a huge part.

I actually just realized this the other day … Heads was composed and recorded in five different home studios (we moved a lot!) but Oslo was entirely done in my current (very settled) studio. That might have had more of an influence on it!

What’s in store for Grouse?

Grouse: I have a couple of remixes in the pipeline that should see the light of day at some point. I also started work on the fourth Grouse album a while ago although I’ve taken a bit of a break to do some promo work for Oslo. I’ll get back into that shortly and hopefully get some more dates for the live band. We’ve got a couple of new people in the band and I think we’re playing better than ever …



You can listen in full to Grouse's new album Oslo on Spotify HERE. And here's the fantastic video for the album's closing track, "Aqua":

Grouse - Oslo (Babyfly Records)

Grouse returns to the album format for a third time with a brand new offering, Oslo. Although it contains the atmospheric and dubby downtempo elements for which Grouse is known, Oslo represents new influences and a more concise sound.

Starting in San Francisco as a studio project, Grouse is the work of Dublin native Ronan Carroll as an outlet for his electronic, dub, and ambient-influenced productions. The music of Grouse is atmospheric and cinematic, a place where guitars, violins and brass instruments blend with loops, samples and synthesizers.

Consisting of eleven tracks ranging from the jazzy "Cornucopia", "JVH", and "Interlude J" to the more instrumental-hip-hop influenced beats of "Crosstown" and "Silence", the album is the follow-up to 2012's Heads, described by Dan Hegarty of Ireland’s national broadcaster RTÉ as "one of the albums of the year." Known for mainly using live instrumentation, this time Grouse has reversed recent trends and produced a more sample-heavy album. At least that’s how it started. In many cases, the samples are hard to spot as Carroll adds the usual flurry of live instruments including horns, dubby bass guitar, and electric piano. Oslo has a more jazzy, instrumental hip-hop feel while sticking to the mellow, atmospheric, downtempo associated with the Grouse sound.

As Carroll notes, "I’ve been a fan of jazz and, in some ways, this album is sort of a tribute to the jazz and instrumental hip-hop and I’ve been listening to over the last few years. Ultimately, it’s about creating an atmosphere. That’s what I love most about music, groove and atmosphere, the way two instruments sound against each other."

Kid Loco - "This is pretty cool. Great moods and tunes."
Rory Hoy (Howlin' Records / Super Hi-Fi) - "An absolutely beautiful release."
Stereo 77 (Plimsoll Records) - "Very, very cool. Reminds me of the best of Cup of Tea, G-Stone, and Vienna Scientists."
Double-D (Funky Fresh Radio Show) - "Dope! A great piece of beats and feeling."
Mark Reynolds (Just Chillin Podcast) - "Doper than a Cheech & Chong marathon! Seriously sweet beats."
Hober Mallow (Excursions / Mighty Reel) - "Lush and deep, right into this. Great beat making … evocative music."
Dr. Best (Headz / Limbo Rhythm) - "I love the easy groovin' vibe of this album. Very nice!"
ActRaiser (Fokuz / Med School) - "Super spaced out … hip-hop meets electronica."
MadameFLY (mmRadio / BeatConcious) - "Deep beats, swirling melodies, and rich tonality combine here to establish Oslo as a go-to collection of mood setters."
DJ Tomas (Google Play / ForwardEver) - "Solid chill out tracks that make life seem to slow down a gear."
Aja Allsop (Ketch A Vibe Radio Show) - "Deep and jazzy with a seriously chilled-out atmosphere."

Available now from Bandcamp, Amazon, iTunes, and Spotify.