Tobor Rellik - Stationary Traveling (Harmonious Discord)

Tobor Rellik graces us with Stationary Traveling, his first full-length excursion into softly muted insanity—the flavor-rich compilation of dance tracks and beyond leverages dissonance with mastery. Launching the compilation is a floaty-found sound reprise perfect for dialing in the tension in the atmosphere. Stripped-down serenades like "Tapeworm" and "Lost Control" hover between resonating nightmare fuel and future funk. "Walking in Circles" dials in the bass theatrics while keeping the blended sonic shimmers. "Droppin Moms" and "Reverse Polarity" dial up the disorienting percussion with breakdowns into largely chaotic meshes of silliness and uncertainty. "Merky Atmosphere" is an absolutely bonkers late-night driver. Stubbled drum fills and high-intensity bass variations propel the later episodes of the album. "Selective Memory" harkens to early Spectral releases with the same detail in the groove. Tobor Rellik has consistently contributed to the Harmonious Discord's evolution, and this album perfectly encapsulates his development into a sonic force.

Taigo Onez (Bang Le’ Dex) – “Truly a righteous release. Hard to pick a favorite here. This entire body of work is really, really nice! In full support! 10/10”. Colin Dale (Abstrakt Dance Records) – “Excellent LP. Some really cool sounds here!”
Brian Busto (Serious Soul) – “Wicked tunes. Full support.”
DJ Firefly (Couch Dancing) – “Lots of great creative details in here - well done!”
Simon Kirk (Proton Radio) – “A feast of fantastic deep groovy Techno - 10/10”. DJ Morpheus (Lysergic Factory Radio Show) – “Weird and captivating tracks in here. Digging it a lot!”

Available Now From: Beatport, Bandcamp, Apple Music, And Spotify.

DJ Samuel Lawrence - Used To Hold Me (R Side Recordings)

DJ Samuel Lawrence's latest offering on R Side Recordings speaks to those twilight moments when the club becomes a sanctuary of shared consciousness. The two-track release showcases Lawrence's masterful understanding of deep house's spiritual DNA while pushing the dancefloor into fresh territory.

"Used to Hold Me" centers on a masterfully engineered kick drum that anchors floating vocal fragments and precise stereo stabs. The production achieves that elusive sweet spot where technical excellence meets pure dance floor magnetism. Lawrence then orchestrates layers of tribal percussion and crisp snare hits into the moody warehouse burner, "Light Dark." Like watching storm clouds gather through factory windows, the track's ominous breakdown creates tension before unleashing its rhythmic payload.

Both tracks demonstrate R Side Recordings' commitment to releasing house music that prioritizes sonic innovation and DJ utility. Lawrence's careful attention to the subtleties of sub-bass and atmospheric space allows these tools to work in both peak-time slots and deeper sets. Dig in.

John Ferris (Transitions Sydney) – “Both tracks are amazing. Used To Hold Me is a huge classic and done well.”
PillowTalk (PillowTalk Music) – “Great work! Full support.”
Joey Silvero (Distant People)** (Seamless) – “Vocal is working nice here.”
Zack Hill (TribeRadio Podcast) – “What a nice surprise! Used To Hole Me is dope.”
Jon Barnes (KZSU 90.1 FM) – “Love the groove and mood of Light Dark.”
Yogi Haughton (DJ Mag reviewer) – “Always loved the original of You Used To. This is a fierce rub.”

Available Now From: Beatport, Traxsource, Apple Music, And Spotify.

DJ Samuel Lawrence - Can't Go Back (R Side Recordings)

DJ Samuel Lawrence returns with a double-sided single that proves his mastery of late-night dance floor dynamics. Released on his R-Side Recordings, "Can't Go Back" and "Downside" showcase the veteran producer's knack for crafting purposeful club weapons that speak to classic sensibilities.

The lead cut, "Can't Go Back," builds around a hefty kick drum foundation, layering filtered female vocals over a muscular bass pattern. Lawrence demonstrates finesse in the breakdown section, where swirling percussion elements create tension before the track's thunderous return. On the flip, "Downside" ventures into moodier territory. The track's tribal rhythmic core pulses beneath cinematic string arrangements, while a processed vocal hook adds an air of mystery. The production nods to warehouse-era aesthetics while maintaining a modern punch, particularly in its gritty low-frequency elements.

Drawing from his two decades behind the decks at events like Love Parade and Burning Man, Lawrence has distilled his understanding of the dancefloor into these two complementary cuts. The release reinforces his reputation for delivering reliable DJ ammunition that sacrifices neither creativity nor impact.

Jon Fugler (Fluke) – “Something very satisfying about both of these tracks.”
Jason Merle (4E&A Records) – “Serious underground bizness right there.”
Jim Stiff (Woodwork Recordings) – “Downside is my favorite. I love when the sustained pads come in and give it a light feel before the vox come in and make it extra heavy.”
Michael Stukes (Mystic Vybes Radio Show) – “Full support for this one. 5/5.”
Juan Moreno (Traum Schallplaten) – “Nice track, perfect for the nighttime.”
Anthonne Shepherd (BoogieKnights) – “I'm really digging the vocal in Can't Go Back. Downside is wicked too and the punters will instantly be singing along.”

Available Now From: Beatport, Traxsource, Apple Music, AND Spotify.

Darwin Chamber X DJ Spun - Darwin Chamber X DJ Spun (Rong Music)

In a bold meeting of minds, Darwin Chamber and DJ Spun join forces for a four-track EP that pushes the boundaries of techno music. This self-titled release on Rong Music showcases the duo's combined decades of experience, resulting in a sonic journey that's nostalgic yet forward-thinking.

The EP kicks off with "Find The Missing Letter," a deep techno cut that weaves dub-inspired elements with hypnotic synth chimes. It's a crafty builder that sets the tone for what's to come. "Digits" follows, living up to its name with a relentless beat that evokes images of robotic revelry. This dark, driving track shows the producers' ability to create tension and release on the dancefloor.

"Do It All Night" emerges as the EP's sultry centerpiece; its pulsating rhythm and seductive groove are designed to keep bodies popping until dawn. The release closes with "Ants," a mid-tempo curiosity that crawls under your skin with its analog warmth and acidic undertones.

Darwin Chamber, aka Mark Greenfield, brings his extensive background in sound engineering and early contributions to breakbeat and trip-hop to the table. DJ Spun, the alias of Jason Drummond, infuses the project with his deep understanding of New York's club culture. Together, they've created a release that'll resonate across the DJ-sphere and club-land.

DJ H4L 9000 (VOlumens Festival) – “Finally a promo from one of the record labels that has fascinated me most over the last 20 years. Super as always!”
ROBOT84 / Scott Ferguson (Paper Recordings) – “Very cool tracks. I’m feeling them all.”
Sean Johnston (Hardway Bros) – “Oh, this is very good. ‘Ants’ is my favorite.”
Sumsuch (Colour and Pitch) – “Raw and fabulous!”
Jon Fugler (XLNT Radio Show) – “Loving ‘Ants’. Relentless and infectious – top notch! ‘Find the Missing Letter’ is, quite frankly, bonkers.”
Bruce Tantum (DJ Mag) – “Amazing record. A beautiful set of tunes from an iconic label.”

Available Now on Vinyl and Digital. Get it on Bandcamp.