Roy Davis Jr. feat. Robert Owens - Slide (Mile End Records)

Mile End Records is pleased to present their latest release, “Slide,” which is a collaboration between two undisputed legends of house music: Roy Davis Jr. and Robert Owens. The song marks the first single off Roy’s upcoming full length album for Mile End Records - Destroy and Rebuild - due worldwide later this year. Roy Davis Jr. is known globally for his anthemic catalog of soulful, Chicago-style house with R&B influences. Robert Owens’ voice is recognizable on countless house music classics including the seminal “I’ll Be Your Friend.” Needless to say this meeting of the minds makes perfect sense.

While “Slide” seems predestined to move dance floors, the excitement is in how it accomplishes its magic. A slight acid bass line shimmies away layered in with deep, shifting pads and a short, reverberating stab that creates an upswing in the groove. Robert Owens sings in the way that only he can, with a slight echo effect leaving lingering trails and creating continuity between multiple vocal parts. Introduced by the onset of piano keys towards the end of the song, the heated singing turns to cool talking.

What would this release be without more heavy hitters on remix duties? A fellow Chicagoan with a lengthy history dating back to the ’80s, DJ Skull really gives the track an authentic rawness exemplified by that classic era. While based in the UK, Luke Solomon (Classic Music Company) at some point was certainly bit by the Chicago bug, evidenced by his longtime label collaboration with the Windy City’s Derrick Carter. Luke really works out the drums in his remix and adds off-kilter bleeps with string like filtered acid sounds. Moving on to one of Canada’s top talents, Andy Roberts (Mixed Signals Music) also reinvents the track’s drums, but chooses organs, chimes, and a more hardy bass over the others’ 303 sounds. Berkshire’s James Blakstar John is up next and holds his own with active, filtered key sounds taking the forefront along with some playful vocal rearrangement.

Roy Davis Jr. and Robert Owens have attracted an all-star cast on Mile End Records that would make it hard for anyone to just let this package slide.

Graeme Park - “Love Roy, love Robert, love this. Yes!”
Doc Martin - “There are some very good mixes here … all have something to offer. Support!”
Tom Findlay (Groove Armada) - “Luke Solomon’s on fire … I love this mix.”
Abicah Soul - “I love this tune. The remixes are great.”
Gene Hunt (Rush Hour / Dope Wax) - “Nice … I’m digging this.”
Claudio Coccoluto - “Real deep music.”
Fabrice Lig (Motech / Fine Art) - “Wow … I love the DJ Skull remix! Its atmosphere and funk … superb!”
Andy Compton (The Rurals) - “Great stuff!”
CJ Mackintosh - “The original mix for me … deep.”
Julius Papp - “I’m digging the James Blakstar John remix.”
Mark Farina - “I like it!”
Lars Behrenroth (Deeper Shades of House) - “Andy Roberts’ mix sounds nice.”
Nacho Marco - “Tune!”
Shane Johnson (Fish Go Deep) - “Nice range of remixes but it’s the original that stands out for me. The groove and vocal build beautifully right to the end.”
Sumsuch (Colour and Pitch) - “Gorgeous stuff here … I’m really liking the priginal and Andy Roberts versions, and that’s a great vocal as ever from Mr. Owens.”
Al Bradley (3am Recordings) - “Cool remixes across the board, but it’s all about the original for me …great pace, wicked bass groove, and the unmistakable vox which still take me back to hearing ‘Tears’ at the Hacienda in my youth.”
Willy Sanjuan (House Kingdom Radio Show) - “No words … simply amazing.”
Andrew Duke (In The Mix) - “Two legends indeed. This is superb stuff. Will definitely be playing this out.”
Michael Fossati (Spirit of House) - “The dee’n’thrilling old school inspired rhythms together with the unrivaled vocals of Robert Owens are guaranteed to put a spell on you.”

Available now from Beatport and Juno Download.

Kenny Summit - Not Just Talk (Mile End Records)

Mile End Records is proud to present five stand-out deep house tracks from Kenny Summit’s upcoming full length album Not Just Talk. Kenny Summit is a New York City staple having DJ’ed for almost two decades in the ‘city that never sleeps.’ He’s played with pretty much all of the city’s big wigs and has forged long lasting relationships with some of the biggest names in house music. Summit finally moved into production, releasing well received tracks on the likes of Sonido Local, Ultra, and, of course, Mile End. After this string of underground releases Kenny Summit is finally ready to unleash his debut album onto the scene. 

As far as albums are concerned, Kenny’s first venture proves to be quite impressive. There are obvious standout dance floor tracks like “The Cut" which features samples from The Ones’ classic house anthem "Flawless." There’s also "Nickel Plated" which features a throwback synth bass-line under raw percussion … it’s already in the digital crates of some of the world’s top DJs. Quite possibly the gem of the album is "Mayhem" which is not only soulful but packs a punch with its unique voice over and huge keys that bring massive energy to the dance floor. Next, "What We Must Become" is another soulful masterpiece and "Sax Breath" is a refreshingly deep tech-house jam sure to be a favorite of the underground heads. Not Just Talk proves to be a well rounded album with a little something for everyone.

Marques Wyatt (Vanguard / Deep L.A.) - “I’m feelin’ this whole EP.”
Quentin Harris (Strictly Rhythm) - “Loving ‘What We Must Become' and 'The Cut’.”
Master Kev (Underground Collective / MKDV Productions) - “’Nickel Plated' is dope. Congrats Kenny!”
Jevne (OneThirty Recordings) - “Solid jams!”
Merlyn Martin (Subdivisions Global Radio Show / Baker Street Recordings) - “I love the straight forward groove of ‘Mayhem' … Solid!”
Joan Ribas (Hotel Pacha / Cafe Del Mar) - “Excellent EP … Great tunes.”
Abicah Soul (Abicah Soul Recordings) - ‘Nickel Plated' kicks me hard … I'm supporting these tunes.”
Christos Kedras (Kapa Music / Beat Philosophy Radio Hour) - “Powerful EP … I’m loving the whole thing! ‘What We Must Become' and 'Mayhem'  are my top picks. Big support!”
DJ Phil T (DJ Times / Promo Only) - “Wow! ‘The Cut' is a straight up banger … All the tracks will rock the dance-floors.”
Dominic Martin (Tronicsole / Nordic Trax) - “Some very cheeky sampling going on here! ‘Mayhem' is a nice track, rounded off perfectly with the Cricco Castelli sample.”
Spiritual Blessings (Gotta Keep Faith Records / Motion FM) - “'Mayhem' is a nice mixture of samples on a good groove.”

Available now from Beatport and Traxsource

Roy Davis Jr. - Dance Everybody (Mile End Records)

Roy Davis Jr.’s funky electronic music has quenched thirsty fans like communal wine. The tracks produced by this legendary DJ/producer of Chicago’s dance music scene have received massive radio and club play around the globe. Roy Davis Jr. describes his music as “Soul Electrica" (also the name of his 1999 album for Peacefrog), a hybrid of soul and electronic music. Others describe it as classic R & B infused with deep, soulful, Chicago-style House. While spinning his own brand of floor-stomping soul for his multitude of fans, Roy Davis jr. has emerged as one of the most requested DJ’s in the world. Between flights, Roy has managed to create a musical catalog of many timeless club anthems; among them "The Believers - Who Dares to Believe in me?" and the genre-defining “Gabrielle”.

After the fantastic previous Mile End Records singles “Goodlife” and “Why Do I Luv Muzik,” Roy Davis Jr. continues his history with the Montreal label on “Dance Everybody.” It’s a powerful, sing-along (and dance-along) house cut featuring the sparkling, melodic vocals of Manny who was last heard on “Bad Like Me” and “Electronic Love” from Roy’s 2009 God Life Music album. In between Manny’s phrases are the smooth hip-house raps of J. Noize and Dilla,further bridging the space between bonafide house music jam and soulful R&B joint. It’s a classic sounding track sure to gain dance floor attention from the moment it’s dropped. The Dub showcases Roy’s pulsating, filtered keys and steadfast rhythm with the catchiest phrases from Manny’s vocal performance floating in and out of the mix. Prime after-hours business here, courtesy of the master Roy Davis Jr.

Abicah Soul - “Supporting. This rocks.”
Joey Silvero (Distant People) - “I like the rolling bass line and chords, The dub is working it for me.”
Guy Garrett (DMC) - “Tight production and smooth spirit. Roy on fire.”
Mousse T. - “This is super!”
Graeme Park - “Fantastic!”
Christos Kedras (Kapa Music) - “Great track, really feeling the groove and the vocal. Full support!”
Michael Fossati (Spirit Of House) - “Jam-packed floors are guaranteed when this feel-good anthem is dropped.”
Didier Vanelli (House Nation Radio) - “Great! I love the old school spirit.”

Available now from Beatport