An Interview with Kovacs The Hun

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The Content Label travels to Budapest to enlist Kovacs the Hun, for an evocative new album titled Mirror World. Born Nándor Kürtössy in the northern Hungarian town Balassagyarmat, Kovacs is known for his Mana Mana Records imprint, his groundbreaking album Five Finger Discount under the name Savages, and his projects Savages y Suefo and Vega Ass. A talented trumpet player, Kovacs dips into a well of varied musical styles for Mirror World. In his sonic palette, hip hop, jazz, and eerie soundtracks mix colorfully with experimental treatments and European musical influences. The Mirror World reflects all of Kovacs' fascinations — sounds and genres coming together on a collective surface.

Is there a story behind the alias Kovacs The Hun?

Kovacs The Hun: I’ve been making music as a hobby since I was 16, and at first I would just put the last 3 letters, "SSY" of my family name, on every tape I made. After a while there was simply too much different music and I felt that my various musical outputs needed different aliases. That is how Savages was born, and shortly after that I started to use another name Kovacs. Kovacs is like Smith in English and it is a very common last name in Hungary, that's why I choose it. In 2007, When the label Budabeats asked me if I had some music to release, I sent them my Kovacs demos and from that time it became kind of an official artist name for me. In recent years I was pretty busy with my other projects and there were no Kovacs releases, however a successful Dutch singer emerged with the same alias, so when The Content Label decided to release my new music, they advised me to add something to Kovacs so there would be no confusion with other artists. Since Attila the Hun, a great ruler and warrior is very well known even outside of Hungary I felt that this can be a good addition to the name Kovacs, plus it also indicates that I'm from Hungary.

How would you describe your music as Kovacs The Hun and how does it differ from your other projects like Savages or Savages & Suefo?

Kovacs The Hun: Oh, it is easy. Savages or my other projects, like Savages Y Suefo are happy music with light melodies and catchy loops, some of them are even danceable party tunes, while Kovacs The Hun represents my deeper, more experimental and darker side.

What is the meaning behind the title, ‘Mirror World’?

Kovacs The Hun: The title is a reference to the world we live in today and I think it is also a reference to how I think of the world and the possible future.

Did you approach ‘Mirror World’ differently from your previous releases?

Kovacs The Hun: No, not really. Mirror World is a collection of tunes that fit together not only because of their genre but because of the underlying themes. The tracks on the album have their own story and stand up individually, but If someone plays Mirror World from start to end, I hope that they will see the pattern. The bigger story of what I see - an album as a whole as if it were a book or a movie.

What was a major thing you learned while creating this record?

Kovacs The Hun: That I'm a gloomy person.

What was the biggest challenge in creating Mirror World?

Kovacs The Hun: I've been into music since I was a little kid, so making music is never a challenge but a fun activity to me.

Does traditional Hungarian folk music play a major part in your music?

Kovacs The Hun: I would say no. I like folk music and I have tons of folk records but I am much more interested in eastern melodies or the music of the indigenous Americans.

Did you enjoy jazz before discovering hip-hop, or did you discover jazz through samples used in hip-hop or instrumental music?

Kovacs The Hun: My first encounter with electronic music was rave music in the 90's and then a few years later I got sucked up by trip-hop. I didn't even know what a sample referred to in music when I got a copy of DJ Shadow's Endtroducing. It was something totally different, that I never heard before, and after that I've decided that I want to create music with a similar approach by using samples. This led me to hip-hop and many other genres including jazz. Since then jazz is one of my favorite genres especially avant-garde and free jazz. I find it amazing that a couple of people can create exciting and well-functioning pieces without sheet music or a precise idea, just by watching and focusing on each other play.

How has technology impacted the way you work?

Kovacs The Hun: I like old school things. Of course, I follow the tech news and I love science and I'm aware that today you can create music even with your phone but I don't get too technical when making music. My basic gear is an older DAW and an MPC so I'm not really a musical geek. I use my phone only to speak and chat with people and that's it.

Are you using hardware samplers or DAW samplers?

Kovacs The Hun: When I started making music at the age of 15 I had no knowledge of any hardware samplers, etc. so when I started out I simply used my mom's PC to make music when she was not using it. Over the years I got so use to this method of working on with PC’s that I still use DAW for sampling. When I listen to an old vinyl and something interesting hits my ears then I just open Logic and start recording.

You have a fascinating list of collaborators ranging from poets to instrumentalist from around the globe featured on your album. Could you tell us how did these collaborations come about?

Kovacs The Hun: I have known many of them for years. András Wahorn was always an idol to me as a musician and as a painter since I was a teenager. I'm a fan of his works. After the release of my debut album as Kovacs he somehow got a copy of the CD and contacted me and told me that he really likes the music which was almost unbelievable and very flattering to me. We have been in touch ever since so it was no question to me that if I am working on a project as Kovacs then I definitely wanted him to contribute. I met Márton Sütő through the label Budabeats when I did a remix for Márton's band. We had also played together a few times so I asked him to play the guitar in Countdown. I felt the original guitar sample was not exciting enough and I knew his guitar playing would be perfect addition to the track.

I had two instrumentals with titles and faint ideas of the lyrics that would work. I contacted a friend David (Rube) because I’ve known him for many years and I've got his Sifu Hotman vinyl Matches, which features Guante. He helped me to get in touch with Kyle (Guante) and then Kyle did a really strong vocal treatment together with his friend Adam (See More Perspective). The story of my connecting with Alex (The Audible One) is similar to the above with Guante and See More. I asked my producer friends around if someone could introduce me to a spoken word artist and one of them connected me with Alex. My original idea was to have a spoken word monologue for Phoney but when I heard the vocal track Alex sent me I was immediately convinced by that and went with it.

Your project fits well within the universe of the The Content Label, how did you become antiquated with the label?

Kovacs The Hun: I'm a fan of Dday One’s music and when I finished the album, I sent the demo to the label because I felt that The Content Label would be the best label to release my new album. I know that they release sample-based music and their releases are also deep and meaningful, so I was thought, there's nothing to lose. Fortunately, they liked it and here we are.

What are your other passions besides making beats?

Kovacs The Hun: Being with my family, reading books or taking long walks with our dogs. Oh, I'm also a film series junky since I got into Battlestar Galactica.

What have you been reading and listening to lately?

Kovacs The Hun: Lately I have been listening to Future Sound Of London and Damon Locks Black Monument Ensemble and of course obscure old releases while searching for new samples. The last book I've finished is Huxley's classic Brave New World. It is one of my favorite novels and I tend to re-read it from time to time. Before that I've read an interesting book on Ayahuasca and now I'm reading Micho Kaku's ‘The Future Of Humanity’.

What’s next for you?

Kovacs The Hun: That's the million-dollar question.

Mirror World is available on both Digital and limited edition Vinyl from The Content Label. Give it a spin. Check out some of the other amazing releases from The Content Label while you are there, this catalog is deep.

Five Alarm Funk feat. Bootsy Collins - We Play The Funk (CMC & Silenta Remix) [Roca Records]

In 2018, Five Alarm Funk, the Vancouver-based world-trekking funk ensemble, collaborated with the legendary Bootsy Collins for “We Play the Funk.” Five Alarm Funk joined a dizzying list of Boosty-enhanced bands and collaborators, including James Browns’ The JBs, Parliament Funkadelic, Prince, Daft Punk, and so many more. “We Play The Funk” features the electrifying horn section assault of Five Alarm Funk and Bootsy’s undeniable bass guitar riffs and vocal magic. This one deserves all caps: FUNK.

CMC & Silenta, the exceptional funky breakbeat duo from Germany, have gotten their skilled mitts on “We Play the Funk” and remixed it for a new decade. The horns signal the start of this party over go-go style rhythms and percussion. Then the full beat comes in along with Bootsy’s funky declarations — no dancefloor within range can resist the explosive result. Five Alarm Funk, Bootsy Collins, and CMC & Silenta: a match made in funky heaven.

Mister T. (Cold Busted) – “Wow … Funk is here again!”
Rory Hoy (Super Hi-Fi) – “The funk levels are ultra-high here!”
Piiit (So Watt) – “This is wicked!”
Wilbour Craddock (Groovewest) – “It’s Five Alarm Funk baby!”
misterG (Green Arrow Radio Show) – “This is HOT!!”
Lakatos Sandor Suefo (Radio Tilos) – “Nice one, I will play the funk on the radio.”
Andreas Kinzl (Aromabar) – “Very well done.”
DJ T-Bird (Los Chicos Altos) – “Bootsy AND go-go swing? Yeah, I’m in.”
Jon Wesley (Music Goes On Radio Show) – “Love it. Funky as hell with excellent production.”

Available Now From: Bandcamp, Beatport, Apple Music, And Spotify.

Lucky Sun feat. Alison David - Rain & Sunshine (Lucky Sun Recordings)

Tom Lown returns with a new single from his acclaimed Lucky Sun project and it’s another moving collaboration with vocalist Alison David (Red Snapper, The Black Science Orchestra, Bugz In The Attic). “Rain & Sunshine” is a glorious mid-tempo affair, recalling the best moments of ‘90s British electronic soul. The beats are crisp and groovy, the instrumentation warm and full, and the chorus reveals a fantastic, jazzy bass line. On top of it all, Alison delivers something special with her lovely voice and uplifting lyrics. Top notch.

The first of two classy remixes comes from the prolific Sumsuch (Colour and Pitch, BBE) who takes the track in an exciting new direction. Arpeggiated melodies, bright, dramatic piano, and a new choral structure compliment Alison’s vocals in surprising ways. Next up is Tim Haze (Tidy Taps) with an emotive and dreamy downtempo interpretation. The lush pads swell hypnotically around spare rhythms and gorgeous vocals, resulting in a delightful soundtrack to sunsets and sunrises alike.

Flash Atkins (Paper Recordings) – “Loving the Tim Haze mix. Late night Summer vibes.”
Richie Hartness (Untitled Music) – “A stunning release all around.”
Jon Lemmon (Viva Recordings) – “What a perfect song. I don’t think this will leave the crate for a long time.”
Pat Lezizmo (Conya Records) – “Beautiful remix by Sumsuch.”
Crate Invader (Point Blank FM) – “Loving the original. An amazing, laid back summer groove. So good!”
Indy Lopez (Beachgrooves) – “Smells like Summer, beaches, and elegant clubs.”
Jon Manley (hOUSEwORX) – “Stunning release from Lucky Sun. All of the mixes are great.”
Hober Mallow (Mighty Reel) – “Great vibe and just drips with atmosphere.”
Marcia Carr (Mi-Soul Radio) – “Illuminating and sublime.”
DJ Di Costa (MoodyLushious Influences Show) – “From such a fine and versatile in nuances release it's really hard to pick a favorite track. It's quite frankly a big dilemma! All I can say is compliments to all the fine artists involved in this classy and absolutely delightful release!”

Available Now From: Bandcamp, Traxsource, Beatport, And Spotify.

trog'low - Midnight Calisthenics (Cold Busted)

Cold Busted has reached into the funky depths to discover trog’low and his fantastic new album Midnight Calisthenics. Based in Toronto, trog’low has appeared on Cold Busted’s IWYMI series as well as his well-received debut album Mellow Feats. He’s gained attention with a deft combination of the old timey and fresh aesthetics, as boom-bap beats and deep jazz intermingle. trog’low’s refusal to follow production fads and trends gives his music a classic, timeless feel — with Midnight Calisthenics, he’s delivered an album that’ll linger.

The opening “Soul Vibes Summit” sets the scene. The time-warped sounds of an audience applauding a jazz combo are joined by phat old school rhythms and delicious vibraphone riffs. “Ballin' '72” keeps up the crucial jazz vibe, adding hardy horns and cool guitar chords. A sublime bossa nova feel is injected into “Hepcats In Heat,” imagining a surf-side retreat with classy jazzbos sipping martinis. And “Ossanha Flip” adds loungey latin elements, its low-slung groove and chopped piano ready to accompany sexy moves. That’s just a taste what Midnight Calisthenics has to offer within its 14 tracks. Give trog’low your ear and prepare to go way back — back into time.

DJ BMF (Eighth Dimension) – “Love it! Perfect blend of Boom Bap beats & Jazz.”
Michael Moebus (Meem) – “Nice Summery grooves.”
Kid Loco (Flor) – “Really well done and coherent from start to finish. Great release.”
Shantisan (Salted Soul) – “These tracks are so cool – I love them!”
Rusty / AGFA (Super Hi-Fi Recordings) – “Nice late night Jazzy grooves. Digging these a lot.”
Mister T. (Cold Busted) – “Amazing set of tracks. True Jazzy sounds here.”
Ket Shah (Mucho Soul) – “Really clever and well produced.”
Snooba (Radio Panik) – “Nice Jazzistic Downtempo experience, as always.”
Salvo Borrelli (Garam Masala Radioshow) – “The great return of Acid Jazz.”
Floored Capri (Kane FM) – “Fine fine Jazzy Hip Hop goodness. The quality of these productions is outstanding.”

Out Now And Available From: Bandcamp, Juno Download, Beatport, And Spotify.